Suburra: finzione sì, ma fino a che punto?

Attività preparatoria per la prova di produzione scritta n. 1 del CILS - Quaderni CILS - Livello 2 - B2 - Sessione Giugno 2006

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fan vicende scene canali situazioni dipinte l'offerta sezione estreme s'intrecciano serie televisive L'avvento sconfinano episodio produzioni palesemente irreale distante staccarmi dallo schermo stuzzicare la mia curiosità

L'avvento di Netflix, HBO, Infinity e di altri canali simili, ha portato ad un aumento mai visto prima nella scelta di film e serie televisive che possiamo goderci dal salotto di casa nostra. Sopratutto per quel che riguarda le serie TV, l'offerta è così vasta che mi ritrovo a non avere abbastanza tempo per vedere tutto ciò potrebbe potenzialmente piacermi. Allora che faccio. Guardo il primo episodio. Se non lo trovo così interessante da voler immediatamente vedere il seguente, nonostante sia arrivata l'ora di spegnere la luce, rimarrà parcheggiato per lungo tempo nella sezione chiamata "Continua a guardare". Ma se invece quel primo episodio ha quel qualcosa che m'impedisce di staccarmi dallo schermo della mia TV, portatile o tablet che sia, allora sono guai. In pochi giorni avrò probabilmente finito di vedere gli episodi disponibili. Questo è proprio quello che mi è sucesso con una serie televisiva italiana: Suburra.

Premetto che non sono in generale un grosso fan delle serie televisive nostrane. Tendo infatti a vedere prevalentemente quelle americane, che comunque rappresentano forse il 90% dell'offerta.

Questa serie mi era già stata segnalata da un amico, al quale però non avevo fatto molto caso. Avevo pensato: "Che strano! Una serie televisiva italiana su Netflix." Una sera però me la sono ritrovata tra le serie suggerite. E' bastato un clic e pochi secondi di alcune scene notturne girate a Roma per stuzzicare la mia curiosità.

La serie racconta le vicende di vari personaggi appartenenti alla scena politica, religiosa e criminale romana che s'intrecciano con risultati spesso inaspettati. Un incidente a un esponente della chiesa cattolica romana porterà tre personaggi molto diversi tra loro, un giovane appartenente alla criminalità di Ostia, il figlio di un'importante famiglia zingara e il figlio una guardia a unirsi contro colui che sembra controllare tutto ciò che c'è d'illegale a Roma.

Le situazioni dipinte sono decisamente estreme, ma non sconfinano mai, almeno a mio parere, nel territorio del palesemente irreale che caratterizza molte altre produzioni dello stesso genere; tanto che più di una volta mi è venuto da chiedermi: "E' se la realtà non fosse poi così distante da quella rappresentata in Suburra?".

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